Showing posts with label book covers. Show all posts
Showing posts with label book covers. Show all posts

Making of a Book Cover: Extracted

This is the book that took 25ish years to write. It's gone through several incarnations. It began as a short story after I read Tom Brokaw's The Greatest Generation and became fascinated with WWII. My story was about an old war veteran who had a heart attack, traveled through the tunnel of light but was ripped out of it, his soul snatched and put into the body of a dead soldier to keep fighting in an alien world's war. I titled it Do Not Resuscitate.

I loved the concept so years later I once again resurrected the story, but this time twisted it into a teen guy displaced on an alien world. I could never quite get the plot settled comfortably in my head so let it sit while I worked on other projects. It was when I was talking about it with YA author Mari Mancusi and she said, "Why don't you make the hero into a heroine?" and something finally clicked.

So no more alien world, just good old fashioned soul snatching in a scientific way right here on planet earth.

Oh but the cover...how to bring this concept into a cover... I searched long and hard until finally I found the perfect model, mainly because she was asleep and has such an innocent quality about her.

Here's the original picture I purchased from Dreamstime.com.  Actually the original picture had a green background which I had to erase, but somewhere when my laptop died and I switched over to a new one I lost the original.

Next I enlarged and off-centered it and added words. There isn't much contrast in this cover with the white on white words, but I was going for a clean and sterile "lab" type look. Also since I was still writing the book when I found this picture I was able to base Kat's look on this model, so she is an exact look for the character. 





Pretty simple and easy. Then I really started having fun. I thought it would be cool to have her eyes open on the back cover, a kind of awakening to her situation like what happens in the book.

So I bought another stock art from Dreamstime with the same cover model.
What I did next was overlay this picture on top of the other and then erase all of it except for one eye. With a bit of enlarging and tilting I got it overlaid over the closed eye and then did a little tweaking like clone-stamping her skin tone over the dark lashes beneath her closed eye and little touches like that.
Extracted back cover

I'm actually quite impressed with myself at this point. 
Next I flipped the picture so it will be a mirror image when the book jacket is folded over and viola!!!

Paperback cover of Extracted

Available at Amazon

Making of a Book Cover: Viking Mine

The Killion Group orginalI'm so excited about my latest book. It's totally different than what I usually write, meaning no magic or supernatural creatures mucking about. It's a straight historical, well, as far as what history can piece together on Vikings at any rate. And it was such a joy to write also. I love these characters. Anyway, more on them later. This post is about how I made the cover.

I wanted to go with that classic historical romance style. You know the ones with a couple in a clench in front of some type of historical scene, usually a castle. I just wanted readers to know exactly what it is at a glance.

So the first thing was to find the right couple. Not so easy when I'm using stock photo. First, there aren't that many blond guys. I have no idea why, but they are few and far between. I also wanted the heroine to have dark hair.  And not completely nekkid either. I couldn't find any at my usual stock photo haunt so I went over to The Killion Group and finally found the perfect couple. The leather pants definitely need to be cropped out though. Eew.
Viking ships saturated
Viking Ships original

Next up is the historical landscape behind them. Viking book. Definitely need a Viking Dragon Ship. Dreamstime had just what I needed.

Saturated it a bit to bring out more color and lighten.

Next I put them together. It took a while to get the right placement of the ships. I ended up using the 3rd ship on the right because it fit the best beneath Rovena's the heroine's hair. I also erased some of her gown. It just flared too much. Actually the dress isn't exactly authentic for the time period but with stock photos I have to pick and choose what I can live with. Notice how I cropped out those awful leather pants? And please don't tell me they are really pleather. Gag. As you can see I started playing around with title and author name placement. I thought it looked pretty good until I decided I really wanted to go with the classic historical romance look and make it look like a drawing.
Cover pulled together
 Finding an illustration program took a little bit of work until I found one in Smart Photo Editor and ran it through. It first came out like this, which I actually love, except it made the fonts less readable. It also made their hair color almost the same. What I really liked about this couple was that her dark hair opposed to his light hair.
Well, I still have a few tricks up my sleeve. I played around with the light balance, even tried to slip her old non illustrated hair over this hair, until it dawned on  me to use the clone stamp tool and clone darker spots of her hair over the lighter spots. It worked pretty well although I may have gotten a little carried away. Except Rovena's hair in the book is pitch black and fascinates all the lighter haired Vikings so I wanted it as dark as I could get it.

Dragon Ships cover

Now that's some nice dark hair on her. I'd rather he was lighter but I didn't want to mess with him too much. The lightening I did made his moles stand out on his neck. You can really see them when they are enlarged. I almost went in with the clone stamp and got rid of them, but decided I could use them and go in and write a few sentences where Rovena is noticing the mole at the side of his neck and wanting to press a kiss there or some such.  The next step was getting the words to show up. With the ships, water and her dress there is a lot going on, which I didn't want to smear out just to see the words so I decided to enlarge the title and go with white for most of it. My name still gets a little lost in her dress but I can live with that, especially since Viking is the main theme I want to get across as well as this is a historical romance. I think the classic style of this cover will convey that fairly well.  So here it is! Tell me what you think.



Kindle                    Nook                    Other Devices 

Making of a Book Cover The Anointed

The more I learn how to Photoshop, the more I want to play around with my covers. It's terribly addictive. This week I updated all three of the covers to my Anointed series, taking them from a horror look to more of a gritty texture with the monster hunting half-human teen brothers.

Here's for the first book in the series The Anointed.
The original photo. This model just has that hard-edged take no prisoners look that big brother Jake embodies. But I wanted the covers to have both brothers so I went scouting around for a stock photo to both fit Cael's more innocent outlook, but also fit the picture. Fortunately the cover model I already liked for Cael also happened to have a photo of him sitting on steps. Perfect!

He needed some darkening up to match the dark tone and saturation of the first picture, and I had to shrink him just right to get his butt planted perfectly on the steps behind Jake.



 A little cropping here, a little cropping there.

Now to go all grainy and texturing. These guys fight demons and operate in a pretty dark gritty world so I wanted the cover to reflect that.



Add the Title and Author (moi) and it's good to go.

                                                   Kindle version                Nook version








Cover Reveal in the making

I love seeing the transformation a cover goes through. And I'm so pleased with how this latest one turned out for Highland Shapeshifter.

Here's the original stock photo: What caught my eye was not only the movement of the shot, but the worried expression on the model's face. So far I've loved all the girls on the Highland covers for their melancholy looks. On each of them, I'm drawn in, wondering what they could be thinking about.

Yeah, yeah, in reality, they are probably hoping the photographer will hurry up and take the shot, but...


Then it got tweaked a bit. Even though it will be cropped for the ebook cover, a version this size will be untouched for when we start working on the paperback size. It will be a little tricky since she is smack in the middle so the back cover area will have to be expanded, but that's for later.

This one below has been tweaked a bit, removing her reflection behind her. Later on the weird shadow on her leg will be removed and the brightness in the top left corner will be toned way down.


Next, it gets cropped. That was a little harder to decide which way to go because there is so much movement. The general photography rule (as my Sweetheart photographer husband is apt to point out) is for the subject's face to always look inward on the largest "rule of thirds" space. However, I liked the movement of her hair and hand lifting outward. It just felt more active, like she was on the run (which she is throughout most of the book) so I broke the rule and had it cropped so her face is closer to the edge, like she's looking off the page.

Below, notice the shadow from her dress on her leg is gone. She also has some weird nipplish going on with how she's leaning down, and since I write on the Sweeter side, I don't really want that, but some strategic letter placement with the title should take care of that. The things you have to look out for, right?

Here's the final copy. The light at the top corner is toned down a bit to give more focus on the letters. I really wanted a green on green, but the background was so busy, it was just hard to read and not showing up, so I went with kind of a white and green combination, which fits with the title lettering of the first book in the series with lighter and darker shades so it keeps a good continuity between books. I love how it turned out and can't wait for this book to come out this month. So what do you think of it?


The Making of a Book Cover

Thought you might like to see the transformation a cover has to go through.
This is the original picture I purchased from Dreamstime.


Then it got flipped horizontally so that when it goes to print there will be enough picture for the back cover. The cat was also removed since there are no cats in the book. No offense to cat lovers. It also went through some intense color saturation to make the heroine pop as well as dodged and burned to bring out the details like the rain. 
The above transformation will be kept for when we are ready to create the cover for the paperback version with plenty of room for the back cover blurb.

Cropping for the ebook version comes next and then the title and author fonts and placements. So here's the final version ready to go to market as soon as the final draft is complete. For more information about the making of covers, visit my husband's website at patautrey.com.







Wuthering Heights

SoHo Publications just came out with a new paperback version of Wuthering Heights by Emily Bronte.

I can't help but notice the similarity between their cover and my cover. *grins*
Actually that's the hazard of using stock photos. Once bought, we have the right to use them, change them, but others can purchase the exact image and do the same. 


So am I upset? Gonna panic and change my cover? Not hardly. It's bound to happen, but how awesome is it that I have the same cover image as Emily Bronte's only classic?  Wuthering Heights, people. It's Wuthering freaking Heights.
Can't get much better company than that.
It makes me feel as though Emily Bronte and I are connected now.
Although I will say, I prefer her other covers. *another cheeky grin*